I/E. OLD CAR/MOSCOW OUTSKIRTS - EARLY MORNING Inside the old car, Mike Veselov tosses a phone onto the dashboard and listens to a radio. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR/MOSCOW OUTSKIRTS - EARLY MORNING Inside the old car, Mike Veselov tosses a phone onto the dashboard and listens to a radio. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR/MOSCOW OUTSKIRTS - EARLY MORNING Inside the old car, Mike Veselov tosses a phone onto the dashboard and listens to a radio. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR/MOSCOW OUTSKIRTS - EARLY MORNING Inside the old car, Mike Veselov tosses a phone onto the dashboard and listens to a radio. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR/MOSCOW OUTSKIRTS - EARLY MORNING Inside the old car, Mike Veselov tosses a phone onto the dashboard and listens to a radio. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR/MOSCOW OUTSKIRTS - EARLY MORNING Inside the old car, Mike Veselov tosses a phone onto the dashboard and listens to a radio. MIKE VESELOV(flabbergasted)Good God! I've been saying it.They've been saying it forthirtyfive damn years. Way to go,Andreev.Господи Боже! Я говорил обэтом. Они говорили это уже тридцатьпять чертовых лет. Браво, Андреев.SOLDIER 2We need to find some shelter! Thisplace is overrun!Нам нужно найтиубежище! Это место захвачено!Mike glances at Lebedev, his eyes filled with determination.MIKE VESELOVNo time for that now. We have a jobto do. Сейчас нет на это времени.У нас есть работа.As they drive further into the cityscape, they notice moresigns of destruction - buildings reduced to rubble, plumes ofsmoke rising from various locations. It becomes clear thatthis attack is unlike anything they have ever seen before. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR/MOSCOW OUTSKIRTS - EARLY MORNING Ignoring warnings from panicked individuals desperately trying to escape what lies ahead, pressforward into unknown territories within this turmoil-strickencityscape plagued by Umbran activities swarming justkilometers away.They continue on, navigating through the chaos as they maketheir way towards a specific destination. The radio continuesto blare with updates and warnings about the ongoing attacksin Moscow.MIKE VESELOV(flabbergasted)Good God! I've been saying it.They've been saying it forthirtyfive damn years. Way to go,Andreev.Господи Боже! Я говорил обэтом. Они говорили это уже тридцатьпять чертовых лет. Браво, Андреев.SOLDIER 2We need to find some shelter! Thisplace is overrun!Нам нужно найтиубежище! Это место захвачено!Mike glances at Lebedev, his eyes filled with determination.MIKE VESELOVNo time for that now. We have a jobto do. Сейчас нет на это времени.У нас есть работа.As they drive further into the cityscape, they notice moresigns of destruction - buildings reduced to rubble, plumes ofsmoke rising from various locations. It becomes clear thatthis attack is unlike anything they have ever seen before. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR/MOSCOW OUTSKIRTS - EARLY MORNING Ignoring warnings from panicked individuals desperately trying to escape what lies ahead, pressforward into unknown territories within this turmoil-strickencityscape plagued by Umbran activities swarming justkilometers away.They continue on, navigating through the chaos as they maketheir way towards a specific destination. The radio continuesto blare with updates and warnings about the ongoing attacksin Moscow.MIKE VESELOV(flabbergasted)Good God! I've been saying it.They've been saying it forthirtyfive damn years. Way to go,Andreev.Господи Боже! Я говорил обэтом. Они говорили это уже тридцатьпять чертовых лет. Браво, Андреев.SOLDIER 2We need to find some shelter! Thisplace is overrun!Нам нужно найтиубежище! Это место захвачено!Mike glances at Lebedev, his eyes filled with determination.MIKE VESELOVNo time for that now. We have a jobto do. Сейчас нет на это времени.У нас есть работа.As they drive further into the cityscape, they notice moresigns of destruction - buildings reduced to rubble, plumes ofsmoke rising from various locations. It becomes clear thatthis attack is unlike anything they have ever seen before. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR/MOSCOW OUTSKIRTS - EARLY MORNING Ignoring warnings from panicked individuals desperately trying to escape what lies ahead, our protagonists in our three old cars pressforward into unknown territories within this turmoil-strickencityscape plagued by Umbran activities swarming justkilometers away.They continue on, navigating through the chaos as they maketheir way towards a specific destination. The radio continuesto blare with updates and warnings about the ongoing attacksin Moscow.MIKE VESELOV(flabbergasted)Good God! I've been saying it.They've been saying it forthirtyfive damn years. Way to go,Andreev.Господи Боже! Я говорил обэтом. Они говорили это уже тридцатьпять чертовых лет. Браво, Андреев.SOLDIER 2We need to find some shelter! Thisplace is overrun!Нам нужно найтиубежище! Это место захвачено!Mike glances at Lebedev, his eyes filled with determination.MIKE VESELOVNo time for that now. We have a jobto do. Сейчас нет на это времени.У нас есть работа.As they drive further into the cityscape, they notice moresigns of destruction - buildings reduced to rubble, plumes ofsmoke rising from various locations. It becomes clear thatthis attack is unlike anything they have ever seen before. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR/MOSCOW OUTSKIRTS - EARLY MORNING Ignoring warnings from panicked individuals desperately trying to escape what lies ahead, our protagonists in our three old cars pressforward into unknown territories within this turmoil-strickencityscape plagued by Umbran activities swarming justkilometers away.They continue on, navigating through the chaos as they maketheir way towards a specific destination. The radio continuesto blare with updates and warnings about the ongoing attacksin Moscow.MIKE VESELOV(flabbergasted)Good God! I've been saying it.They've been saying it forthirtyfive damn years. Way to go,Andreev.Господи Боже! Я говорил обэтом. Они говорили это уже тридцатьпять чертовых лет. Браво, Андреев.SOLDIER 2We need to find some shelter! Thisplace is overrun!Нам нужно найтиубежище! Это место захвачено!Mike glances at Lebedev, his eyes filled with determination.MIKE VESELOVNo time for that now. We have a jobto do. Сейчас нет на это времени.У нас есть работа.As they drive further into the cityscape, they notice moresigns of destruction - buildings reduced to rubble, plumes ofsmoke rising from various locations. It becomes clear thatthis attack is unlike anything they have ever seen before. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR - EARLY MORNING Ignoring warnings from panicked individuals desperatelytrying to escape what lies ahead, our protagonists in our three old cars pressforward into unknown territories within this turmoil-strickencityscape plagued by Umbran activities swarming justkilometers away.They continue on, navigating through the chaos as they maketheir way towards a specific destination. The radio continuesto blare with updates and warnings about the ongoing attacksin Moscow.MIKE VESELOV(flabbergasted)Good God! I've been saying it.They've been saying it forthirtyfive damn years. Way to go,Andreev.Господи Боже! Я говорил обэтом. Они говорили это уже тридцатьпять чертовых лет. Браво, Андреев.SOLDIER 2We need to find some shelter! Thisplace is overrun!Нам нужно найтиубежище! Это место захвачено!Mike glances at Lebedev, his eyes filled with determination.MIKE VESELOVNo time for that now. We have a jobto do. Сейчас нет на это времени.У нас есть работа.As they drive further into the cityscape, they notice moresigns of destruction - buildings reduced to rubble, plumes ofsmoke rising from various locations. It becomes clear thatthis attack is unlike anything they have ever seen before. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR - EARLY MORNING Ignoring warnings from panicked individuals desperatelytrying to escape what lies ahead, our protagonists in our three old cars pressforward into unknown territories within this turmoil-strickencityscape plagued by Umbran activities swarming justkilometers away.They continue on, navigating through the chaos as they maketheir way towards a specific destination. The radio continuesto blare with updates and warnings about the ongoing attacksin Moscow.MIKE VESELOV(flabbergasted)Good God! I've been saying it.They've been saying it forthirtyfive damn years. Way to go,Andreev.Господи Боже! Я говорил обэтом. Они говорили это уже тридцатьпять чертовых лет. Браво, Андреев.SOLDIER 2We need to find some shelter! Thisplace is overrun!Нам нужно найтиубежище! Это место захвачено!Mike glances at Lebedev, his eyes filled with determination.MIKE VESELOVNo time for that now. We have a jobto do. Сейчас нет на это времени.У нас есть работа.As they drive further into the cityscape, they notice moresigns of destruction - buildings reduced to rubble, plumes ofsmoke rising from various locations. It becomes clear thatthis attack is unlike anything they have ever seen before. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR - EARLY MORNING Ignoring warnings from panicked individuals desperatelytrying to escape what lies ahead, our protagonists pressforward into unknown territories within this turmoil-strickencityscape plagued by Umbran activities swarming justkilometers away.They continue on, navigating through the chaos as they maketheir way towards a specific destination. The radio continuesto blare with updates and warnings about the ongoing attacksin Moscow.MIKE VESELOV(flabbergasted)Good God! I've been saying it.They've been saying it forthirtyfive damn years. Way to go,Andreev.Господи Боже! Я говорил обэтом. Они говорили это уже тридцатьпять чертовых лет. Браво, Андреев.SOLDIER 2We need to find some shelter! Thisplace is overrun!Нам нужно найтиубежище! Это место захвачено!Mike glances at Lebedev, his eyes filled with determination.MIKE VESELOVNo time for that now. We have a jobto do. Сейчас нет на это времени.У нас есть работа.As they drive further into the cityscape, they notice moresigns of destruction - buildings reduced to rubble, plumes ofsmoke rising from various locations. It becomes clear thatthis attack is unlike anything they have ever seen before. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR - EARLY MORNING Ignoring warnings from panicked individuals desperatelytrying to escape what lies ahead, our protagonists pressforward into unknown territories within this turmoil-strickencityscape plagued by Umbran activities swarming justkilometers away.They continue on, navigating through the chaos as they maketheir way towards a specific destination. The radio continuesto blare with updates and warnings about the ongoing attacksin Moscow.MIKE VESELOV(flabbergasted)Good God! I've been saying it.They've been saying it forthirtyfive damn years. Way to go,Andreev.Господи Боже! Я говорил обэтом. Они говорили это уже тридцатьпять чертовых лет. Браво, Андреев.SOLDIER 2We need to find some shelter! Thisplace is overrun!Нам нужно найтиубежище! Это место захвачено!Mike glances at Lebedev, his eyes filled with determination.MIKE VESELOVNo time for that now. We have a jobto do. Сейчас нет на это времени.У нас есть работа.As they drive further into the cityscape, they notice moresigns of destruction - buildings reduced to rubble, plumes ofsmoke rising from various locations. It becomes clear thatthis attack is unlike anything they have ever seen before. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR - EARLY MORNING They drive around the wreckage and the civilians.MANНеправильный путь! Уйди отсюда!Возвращайся!Ignoring warnings from panicked individuals desperatelytrying to escape what lies ahead, our protagonists pressforward into unknown territories within this turmoil-strickencityscape plagued by Umbran activities swarming justkilometers away.They continue on, navigating through the chaos as they maketheir way towards a specific destination. The radio continuesto blare with updates and warnings about the ongoing attacksin Moscow.MIKE VESELOV(flabbergasted)Good God! I've been saying it.They've been saying it forthirtyfive damn years. Way to go,Andreev.Господи Боже! Я говорил обэтом. Они говорили это уже тридцатьпять чертовых лет. Браво, Андреев.SOLDIER 2We need to find some shelter! Thisplace is overrun!Нам нужно найтиубежище! Это место захвачено!Mike glances at Lebedev, his eyes filled with determination.MIKE VESELOVNo time for that now. We have a jobto do. Сейчас нет на это времени.У нас есть работа.As they drive further into the cityscape, they notice moresigns of destruction - buildings reduced to rubble, plumes ofsmoke rising from various locations. It becomes clear thatthis attack is unlike anything they have ever seen before. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR - EARLY MORNING They drive around the wreckage and the civilians.MANНеправильный путь! Уйди отсюда!Возвращайся!Ignoring warnings from panicked individuals desperatelytrying to escape what lies ahead, our protagonists pressforward into unknown territories within this turmoil-strickencityscape plagued by Umbran activities swarming justkilometers away.They continue on, navigating through the chaos as they maketheir way towards a specific destination. The radio continuesto blare with updates and warnings about the ongoing attacksin Moscow.MIKE VESELOV(flabbergasted)Good God! I've been saying it.They've been saying it forthirtyfive damn years. Way to go,Andreev.Господи Боже! Я говорил обэтом. Они говорили это уже тридцатьпять чертовых лет. Браво, Андреев.SOLDIER 2We need to find some shelter! Thisplace is overrun!Нам нужно найтиубежище! Это место захвачено!Mike glances at Lebedev, his eyes filled with determination.MIKE VESELOVNo time for that now. We have a jobto do. Сейчас нет на это времени.У нас есть работа.As they drive further into the cityscape, they notice moresigns of destruction - buildings reduced to rubble, plumes ofsmoke rising from various locations. It becomes clear thatthis attack is unlike anything they have ever seen before. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR - EARLY MORNINGWrecked cars and fleeing civilians lay in front of themasthey drive closer yo the outskirts.RADIO (CONT'D)Москва подвергласьмассированному нападению.ГОРОД 312 (CONT'D)И НИКТО НЕ ЖДЕТ НОЧАМИНАПРОЛЕТ, ОН ДАВНО ПРОСТИЛ, ИВЫ ЕГО ПРОСТИТЕ. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR - EARLY MORNINGWrecked cars and fleeing civilians lay in front of themasthey drive closer yo the outskirts.RADIO (CONT'D)Москва подвергласьмассированному нападению.ГОРОД 312 (CONT'D)И НИКТО НЕ ЖДЕТ НОЧАМИНАПРОЛЕТ, ОН ДАВНО ПРОСТИЛ, ИВЫ ЕГО ПРОСТИТЕ. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR - EARLY MORNINGAs the three cars emerge from the other side of the tunnel, theywitness chaos unfolding before them. Wrecked cars litteredacross their path while terrified civilians scramble awayfrom imminent danger - signs indicating an ongoing attack ordisaster. RADIOЭто национальная экстреннаяпередача.ГОРОД 312 (CONT'D)ИХ МЕНЯЕТ ВДРУГ БЕЗУМНЫЙ КРУГСОБЫТИЙ.Wrecked cars and fleeing civilians lay in front of themasthey drive closer yo the outskirts.RADIO (CONT'D)Москва подвергласьмассированному нападению.ГОРОД 312 (CONT'D)И НИКТО НЕ ЖДЕТ НОЧАМИНАПРОЛЕТ, ОН ДАВНО ПРОСТИЛ, ИВЫ ЕГО ПРОСТИТЕ. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR - EARLY MORNINGAs the three cars emerge from the other side of the tunnel, theywitness chaos unfolding before them. Wrecked cars litteredacross their path while terrified civilians scramble awayfrom imminent danger - signs indicating an ongoing attack ordisaster. RADIOЭто национальная экстреннаяпередача.ГОРОД 312 (CONT'D)ИХ МЕНЯЕТ ВДРУГ БЕЗУМНЫЙ КРУГСОБЫТИЙ.Wrecked cars and fleeing civilians lay in front of themasthey drive closer yo the outskirts.RADIO (CONT'D)Москва подвергласьмассированному нападению.ГОРОД 312 (CONT'D)И НИКТО НЕ ЖДЕТ НОЧАМИНАПРОЛЕТ, ОН ДАВНО ПРОСТИЛ, ИВЫ ЕГО ПРОСТИТЕ. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR - EARLY MORNINGMike and Lebedev drive in blue pickup trucks. The three cars drive to the outskirts of Moscow. They cross atunnel.ГОРОД 312ДОЛГИЙ ПУТЬ И ПУСТЬ ВСЕ СХЕМЫНАИЗУСТЬ,As the three cars emerge from the other side of the tunnel, theywitness chaos unfolding before them. Wrecked cars litteredacross their path while terrified civilians scramble awayfrom imminent danger - signs indicating an ongoing attack ordisaster. RADIOЭто национальная экстреннаяпередача.ГОРОД 312 (CONT'D)ИХ МЕНЯЕТ ВДРУГ БЕЗУМНЫЙ КРУГСОБЫТИЙ.Wrecked cars and fleeing civilians lay in front of themasthey drive closer yo the outskirts.RADIO (CONT'D)Москва подвергласьмассированному нападению.ГОРОД 312 (CONT'D)И НИКТО НЕ ЖДЕТ НОЧАМИНАПРОЛЕТ, ОН ДАВНО ПРОСТИЛ, ИВЫ ЕГО ПРОСТИТЕ. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR - EARLY MORNINGMike and Lebedev drive in blue pickup trucks. The three cars drive to the outskirts of Moscow. They cross atunnel.ГОРОД 312ДОЛГИЙ ПУТЬ И ПУСТЬ ВСЕ СХЕМЫНАИЗУСТЬ,As the three cars emerge from the other side of the tunnel, theywitness chaos unfolding before them. Wrecked cars litteredacross their path while terrified civilians scramble awayfrom imminent danger - signs indicating an ongoing attack ordisaster. RADIOЭто национальная экстреннаяпередача.ГОРОД 312 (CONT'D)ИХ МЕНЯЕТ ВДРУГ БЕЗУМНЫЙ КРУГСОБЫТИЙ.Wrecked cars and fleeing civilians lay in front of themasthey drive closer yo the outskirts.RADIO (CONT'D)Москва подвергласьмассированному нападению.ГОРОД 312 (CONT'D)И НИКТО НЕ ЖДЕТ НОЧАМИНАПРОЛЕТ, ОН ДАВНО ПРОСТИЛ, ИВЫ ЕГО ПРОСТИТЕ. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR - EARLY MORNINGMike and Lebedev drive in blue pickup trucks. The three cars drive to the outskirts of Moscow. They cross atunnel.ГОРОД 312ДОЛГИЙ ПУТЬ И ПУСТЬ ВСЕ СХЕМЫНАИЗУСТЬ,As they emerge from the other side of the tunnel, theywitness chaos unfolding before them. Wrecked cars litteredacross their path while terrified civilians scramble awayfrom imminent danger - signs indicating an ongoing attack ordisaster. RADIOЭто национальная экстреннаяпередача.ГОРОД 312 (CONT'D)ИХ МЕНЯЕТ ВДРУГ БЕЗУМНЫЙ КРУГСОБЫТИЙ.Wrecked cars and fleeing civilians lay in front of themasthey drive closer yo the outskirts.RADIO (CONT'D)Москва подвергласьмассированному нападению.ГОРОД 312 (CONT'D)И НИКТО НЕ ЖДЕТ НОЧАМИНАПРОЛЕТ, ОН ДАВНО ПРОСТИЛ, ИВЫ ЕГО ПРОСТИТЕ. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR - EARLY MORNINGMike and Lebedev drive in blue pickup trucks. The three cars drive to the outskirts of Moscow. They cross atunnel.ГОРОД 312ДОЛГИЙ ПУТЬ И ПУСТЬ ВСЕ СХЕМЫНАИЗУСТЬ,As they emerge from the other side of the tunnel, theywitness chaos unfolding before them. Wrecked cars litteredacross their path while terrified civilians scramble awayfrom imminent danger - signs indicating an ongoing attack ordisaster. RADIOЭто национальная экстреннаяпередача.ГОРОД 312 (CONT'D)ИХ МЕНЯЕТ ВДРУГ БЕЗУМНЫЙ КРУГСОБЫТИЙ.Wrecked cars and fleeing civilians lay in front of themasthey drive closer yo the outskirts.RADIO (CONT'D)Москва подвергласьмассированному нападению.ГОРОД 312 (CONT'D)И НИКТО НЕ ЖДЕТ НОЧАМИНАПРОЛЕТ, ОН ДАВНО ПРОСТИЛ, ИВЫ ЕГО ПРОСТИТЕ. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR - EARLY MORNINGMike and Lebedev drive in blue pickup trucks. The three cars drive to the outskirts of Moscow. They cross atunnel.ГОРОД 312ДОЛГИЙ ПУТЬ И ПУСТЬ ВСЕ СХЕМЫНАИЗУСТЬ,As they emerge from the other side of the tunnel, theywitness chaos unfolding before them. Wrecked cars litteredacross their path while terrified civilians scramble awayfrom imminent danger - signs indicating an ongoing attack ordisaster. RADIOЭто национальная экстреннаяпередача.ГОРОД 312 (CONT'D)ИХ МЕНЯЕТ ВДРУГ БЕЗУМНЫЙ КРУГСОБЫТИЙ.Wrecked cars and fleeing civilians lay in front of themasthey drive closer yo the outskirts.RADIO (CONT'D)Москва подвергласьмассированному нападению.ГОРОД 312 (CONT'D)И НИКТО НЕ ЖДЕТ НОЧАМИНАПРОЛЕТ, ОН ДАВНО ПРОСТИЛ, ИВЫ ЕГО ПРОСТИТЕ. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
INT. GOSPEL LUTHERIAN CHURCH - EVENING Maleficent decided to stop before she could speak too muchand overwhelm Timophey with her own emotions. She wanted togive him space to process his grief and decide if he wantedto share more. After all, silence and empathy are morepowerful than words.205.Maleficent moves over to Kirill. She gently places a hand onhis shoulder, offering him comfort and support. Kirill looksup at her with tear-filled eyes, grateful for her presence inthis difficult time.MALEFICENT (CONT'D)What is going on with educationthese days? Что происходит собразованием в наши дни?KIRILL ANDREEVI tell you, no respect. It's justimpossible sometimes. Говорю вам,никакого уважения. Иногда этопросто невозможно.MALEFICENTYeah. I went through that with mygoddaughter. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
INT. GOSPEL LUTHERIAN CHURCH - EVENING Maleficent decided to stop before she could speak too muchand overwhelm Timophey with her own emotions. She wanted togive him space to process his grief and decide if he wantedto share more. After all, silence and empathy are morepowerful than words.205.Maleficent moves over to Kirill. She gently places a hand onhis shoulder, offering him comfort and support. Kirill looksup at her with tear-filled eyes, grateful for her presence inthis difficult time.MALEFICENT (CONT'D)What is going on with educationthese days? Что происходит собразованием в наши дни?KIRILL ANDREEVI tell you, no respect. It's justimpossible sometimes. Говорю вам,никакого уважения. Иногда этопросто невозможно.MALEFICENTYeah. I went through that with mygoddaughter. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
INT. GOSPEL LUTHERIAN CHURCH - EVENING Maleficent decided to stop before she could speak too muchand overwhelm Timophey with her own emotions. She wanted togive him space to process his grief and decide if he wantedto share more. After all, silence and empathy are morepowerful than words.205.Maleficent moves over to Kirill. She gently places a hand onhis shoulder, offering him comfort and support. Kirill looksup at her with tear-filled eyes, grateful for her presence inthis difficult time.MALEFICENT (CONT'D)What is going on with educationthese days? Что происходит собразованием в наши дни?KIRILL ANDREEVI tell you, no respect. It's justimpossible sometimes. Говорю вам,никакого уважения. Иногда этопросто невозможно.MALEFICENTYeah. I went through that with mygoddaughter. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
INT. GOSPEL LUTHERIAN CHURCH - EVENING Maleficent decided to stop before she could speak too muchand overwhelm Timophey with her own emotions. She wanted togive him space to process his grief and decide if he wantedto share more. After all, silence and empathy are morepowerful than words.205.Maleficent moves over to Kirill. She gently places a hand onhis shoulder, offering him comfort and support. Kirill looksup at her with tear-filled eyes, grateful for her presence inthis difficult time.MALEFICENT (CONT'D)What is going on with educationthese days? Что происходит собразованием в наши дни?KIRILL ANDREEVI tell you, no respect. It's justimpossible sometimes. Говорю вам,никакого уважения. Иногда этопросто невозможно.MALEFICENTYeah. I went through that with mygoddaughter. Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
INT. GOSPEL LUTHERIAN CHURCH - EVENINGThis night, in the abandoned church where everybody is hiding in,a little boy, Timophey runs in and kicks Maleficent's dress.TIMOPHEYHey, I know you. You were thatfairy who cursed the star of aballet, right? Я знаю вас. Вы былитой феей, которая прокляла звездубалета, верно?MALEFICENTNo. I am not a fairy who cursed aballet star. That would be someoneelse. Нет. Я не фея, котораяпрокляла звезду балета. Это был быкто-то другой.TIMOPHEYLeon Bakst said that thatincarnation was just anunderstatement of your true power.He believes you have the ability tobring chaos and destruction on amuch larger scale, suggesting thatyou and the fairy who cursed theballet star, a princess at birth,are essentially the same entity.Лев Бакст сказал, что этовоплощение было всего лишьпреуменьшением вашей истинной силы.Он считает, что вы способны сеятьхаос и разрушение в гораздо большеммасштабе, предполагая, что вы ифея, которая прокляла звездубалета, принцессу при рождении, посути, одно и то же.MALEFICENTAbsurd. Leon's statement is a grossexaggeration. Это абсурд. ЗаявлениеЛеона отвратительное преувеличение.TIMOPHEYHow do you explain how she waskilled by Desire but then getsrevived again and again?! Какобъяснить, что она была убитаДезире, но затем снова и сновавозрождается?!MALEFICENTNow, run along, you impossible boy.Run along. Where are your parents?А теперь беги, невозможныймальчишка. Где твои родители?TIMOPHEYThose nasty soldiers that werechasing us...they just killed...thelast thing I called family! I losteverything that day. Теотвратительные солдаты, которыепреследовали нас...они простоубили...последнее, что я называлсемьей! Я потерял все.MALEFICENTI'm sorry .Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
INT. GOSPEL LUTHERIAN CHURCH - EVENINGThis night, in the abandoned church where everybody is hiding in,a little boy, Timophey runs in and kicks Maleficent's dress.TIMOPHEYHey, I know you. You were thatfairy who cursed the star of aballet, right? Я знаю вас. Вы былитой феей, которая прокляла звездубалета, верно?MALEFICENTNo. I am not a fairy who cursed aballet star. That would be someoneelse. Нет. Я не фея, котораяпрокляла звезду балета. Это был быкто-то другой.TIMOPHEYLeon Bakst said that thatincarnation was just anunderstatement of your true power.He believes you have the ability tobring chaos and destruction on amuch larger scale, suggesting thatyou and the fairy who cursed theballet star, a princess at birth,are essentially the same entity.Лев Бакст сказал, что этовоплощение было всего лишьпреуменьшением вашей истинной силы.Он считает, что вы способны сеятьхаос и разрушение в гораздо большеммасштабе, предполагая, что вы ифея, которая прокляла звездубалета, принцессу при рождении, посути, одно и то же.MALEFICENTAbsurd. Leon's statement is a grossexaggeration. Это абсурд. ЗаявлениеЛеона отвратительное преувеличение.TIMOPHEYHow do you explain how she waskilled by Desire but then getsrevived again and again?! Какобъяснить, что она была убитаДезире, но затем снова и сновавозрождается?!MALEFICENTNow, run along, you impossible boy.Run along. Where are your parents?А теперь беги, невозможныймальчишка. Где твои родители?TIMOPHEYThose nasty soldiers that werechasing us...they just killed...thelast thing I called family! I losteverything that day. Теотвратительные солдаты, которыепреследовали нас...они простоубили...последнее, что я называлсемьей! Я потерял все.MALEFICENTI'm sorry .Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
INT. GOSPEL LUTHERIAN CHURCH - EVENINGThis night, in the abandoned church where everybody is hiding in,a little boy, Timophey runs in and kicks Maleficent's dress.TIMOPHEYHey, I know you. You were thatfairy who cursed the star of aballet, right? Я знаю вас. Вы былитой феей, которая прокляла звездубалета, верно?MALEFICENTNo. I am not a fairy who cursed aballet star. That would be someoneelse. Нет. Я не фея, котораяпрокляла звезду балета. Это был быкто-то другой.TIMOPHEYLeon Bakst said that thatincarnation was just anunderstatement of your true power.He believes you have the ability tobring chaos and destruction on amuch larger scale, suggesting thatyou and the fairy who cursed theballet star, a princess at birth,are essentially the same entity.Лев Бакст сказал, что этовоплощение было всего лишьпреуменьшением вашей истинной силы.Он считает, что вы способны сеятьхаос и разрушение в гораздо большеммасштабе, предполагая, что вы ифея, которая прокляла звездубалета, принцессу при рождении, посути, одно и то же.MALEFICENTAbsurd. Leon's statement is a grossexaggeration. Это абсурд. ЗаявлениеЛеона отвратительное преувеличение.TIMOPHEYHow do you explain how she waskilled by Desire but then getsrevived again and again?! Какобъяснить, что она была убитаДезире, но затем снова и сновавозрождается?!MALEFICENTNow, run along, you impossible boy.Run along. Where are your parents?А теперь беги, невозможныймальчишка. Где твои родители?TIMOPHEYThose nasty soldiers that werechasing us...they just killed...thelast thing I called family! I losteverything that day. Теотвратительные солдаты, которыепреследовали нас...они простоубили...последнее, что я называлсемьей! Я потерял все.MALEFICENTI'm sorry .Hyperrealistic 8K
INT. GOSPEL LUTHERIAN CHURCH - EVENINGThis night, in the abandoned church where everybody is hiding in,a little boy, Timophey runs in and kicks Maleficent's dress.TIMOPHEYHey, I know you. You were thatfairy who cursed the star of aballet, right? Я знаю вас. Вы былитой феей, которая прокляла звездубалета, верно?MALEFICENTNo. I am not a fairy who cursed aballet star. That would be someoneelse. Нет. Я не фея, котораяпрокляла звезду балета. Это был быкто-то другой.TIMOPHEYLeon Bakst said that thatincarnation was just anunderstatement of your true power.He believes you have the ability tobring chaos and destruction on amuch larger scale, suggesting thatyou and the fairy who cursed theballet star, a princess at birth,are essentially the same entity.Лев Бакст сказал, что этовоплощение было всего лишьпреуменьшением вашей истинной силы.Он считает, что вы способны сеятьхаос и разрушение в гораздо большеммасштабе, предполагая, что вы ифея, которая прокляла звездубалета, принцессу при рождении, посути, одно и то же.MALEFICENTAbsurd. Leon's statement is a grossexaggeration. Это абсурд. ЗаявлениеЛеона отвратительное преувеличение.TIMOPHEYHow do you explain how she waskilled by Desire but then getsrevived again and again?! Какобъяснить, что она была убитаДезире, но затем снова и сновавозрождается?!MALEFICENTNow, run along, you impossible boy.Run along. Where are your parents?А теперь беги, невозможныймальчишка. Где твои родители?TIMOPHEYThose nasty soldiers that werechasing us...they just killed...thelast thing I called family! I losteverything that day. Теотвратительные солдаты, которыепреследовали нас...они простоубили...последнее, что я называлсемьей! Я потерял все.MALEFICENTI'm sorry .Hyperrealistic 8K
I/E. OLD CAR - EARLY MORNINGAs the three cars emerge from the other side of the tunnel, theywitness chaos unfolding before them. Wrecked cars litteredacross their path while terrified civilians scramble awayfrom imminent danger - signs indicating an ongoing attack ordisaster. RADIOЭто национальная экстреннаяпередача.ГОРОД 312 (CONT'D)ИХ МЕНЯЕТ ВДРУГ БЕЗУМНЫЙ КРУГСОБЫТИЙ.Wrecked cars and fleeing civilians lay in front of themasthey drive closer yo the outskirts.RADIO (CONT'D)Москва подвергласьмассированному нападению.ГОРОД 312 (CONT'D)И НИКТО НЕ ЖДЕТ НОЧАМИНАПРОЛЕТ, ОН ДАВНО ПРОСТИЛ, ИВЫ ЕГО ПРОСТИТЕ.Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR - EARLY MORNINGAs the three cars emerge from the other side of the tunnel, theywitness chaos unfolding before them. Wrecked cars litteredacross their path while terrified civilians scramble awayfrom imminent danger - signs indicating an ongoing attack ordisaster. RADIOЭто национальная экстреннаяпередача.ГОРОД 312 (CONT'D)ИХ МЕНЯЕТ ВДРУГ БЕЗУМНЫЙ КРУГСОБЫТИЙ.Wrecked cars and fleeing civilians lay in front of themasthey drive closer yo the outskirts.RADIO (CONT'D)Москва подвергласьмассированному нападению.ГОРОД 312 (CONT'D)И НИКТО НЕ ЖДЕТ НОЧАМИНАПРОЛЕТ, ОН ДАВНО ПРОСТИЛ, ИВЫ ЕГО ПРОСТИТЕ.Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR - EARLY MORNINGMike and Lebedev drive in blue pickup trucks. The three cars drive to the outskirts of Moscow. They cross atunnel.ГОРОД 312ДОЛГИЙ ПУТЬ И ПУСТЬ ВСЕ СХЕМЫНАИЗУСТЬ,As the three cars emerge from the other side of the tunnel, theywitness chaos unfolding before them. Wrecked cars litteredacross their path while terrified civilians scramble awayfrom imminent danger - signs indicating an ongoing attack ordisaster. RADIOЭто национальная экстреннаяпередача.ГОРОД 312 (CONT'D)ИХ МЕНЯЕТ ВДРУГ БЕЗУМНЫЙ КРУГСОБЫТИЙ.Wrecked cars and fleeing civilians lay in front of themasthey drive closer yo the outskirts.RADIO (CONT'D)Москва подвергласьмассированному нападению.ГОРОД 312 (CONT'D)И НИКТО НЕ ЖДЕТ НОЧАМИНАПРОЛЕТ, ОН ДАВНО ПРОСТИЛ, ИВЫ ЕГО ПРОСТИТЕ.Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.
I/E. OLD CAR - EARLY MORNINGMike and Lebedev drive in blue pickup trucks. The three cars drive to the outskirts of Moscow. They cross atunnel.ГОРОД 312ДОЛГИЙ ПУТЬ И ПУСТЬ ВСЕ СХЕМЫНАИЗУСТЬ,As the three cars emerge from the other side of the tunnel, theywitness chaos unfolding before them. Wrecked cars litteredacross their path while terrified civilians scramble awayfrom imminent danger - signs indicating an ongoing attack ordisaster. RADIOЭто национальная экстреннаяпередача.ГОРОД 312 (CONT'D)ИХ МЕНЯЕТ ВДРУГ БЕЗУМНЫЙ КРУГСОБЫТИЙ.Wrecked cars and fleeing civilians lay in front of themasthey drive closer yo the outskirts.RADIO (CONT'D)Москва подвергласьмассированному нападению.ГОРОД 312 (CONT'D)И НИКТО НЕ ЖДЕТ НОЧАМИНАПРОЛЕТ, ОН ДАВНО ПРОСТИЛ, ИВЫ ЕГО ПРОСТИТЕ.Hyperrealistic 8K -neg morphing, erratic fluctuation in motion, noisy, bad quality, distorted, poorly drawn, blurry, grainy, low resolution, oversaturated, lack of detail, inconsistent lighting.