Transcendental Techno-Shaman, electric mitota fragments of mirror inlay dubstep X Files electro-shamanism secret experiment electricity caster mechanisms of industrial equipment a young man segmented against the backdrop of surrealism youth subculture cool outfit trip-hop fantastic films of the second half of the 20th century HQ mysterious observer

Transcendental Techno-Shaman, electric mitota fragments of mirror inlay dubstep X Files electro-shamanism secret experiment electricity caster mechanisms of industrial equipment a young man segmented against the backdrop of surrealism youth subculture cool outfit trip-hop fantastic films of the second half of the 20th century HQ mysterious observer

Transcendental Techno-Shaman, electric mitota fragments of mirror inlay dubstep X Files electro-shamanism secret experiment electricity caster mechanisms of industrial equipment a young man segmented against the backdrop of surrealism youth subculture cool outfit trip-hop fantastic films of the second half of the 20th century HQ mysterious observer

Transcendental Techno-Shaman, electric mitota fragments of mirror inlay dubstep X Files electro-shamanism secret experiment electricity caster mechanisms of industrial equipment a young man segmented against the backdrop of surrealism youth subculture cool outfit trip-hop fantastic films of the second half of the 20th century HQ mysterious observer

An anthropomorphic, biomechanical hybrid of a human and a sewing machine is seen in a cinematic frame following the rule of thirds. The man looks around with eyes that pulsate with green light against the backdrop of modern urban Russia in 1986. The scene is set against a surreal backdrop.

An anthropomorphic, biomechanical hybrid of a human and a sewing machine is seen in a cinematic frame following the rule of thirds. The man looks around with eyes that pulsate with green light against the backdrop of modern urban Russia in 1986. The scene is set against a surreal backdrop.

An anthropomorphic, biomechanical hybrid of a human and a sewing machine is seen in a cinematic frame following the rule of thirds. The man looks around with eyes that pulsate with green light against the backdrop of modern urban Russia in 1986. The scene is set against a surreal backdrop.

An anthropomorphic, biomechanical hybrid of a human and a sewing machine is seen in a cinematic frame following the rule of thirds. The man looks around with eyes that pulsate with green light against the backdrop of modern urban Russia in 1986. The scene is set against a surreal backdrop.

An anthropomorphic, biomechanical hybrid of a human and a sewing machine is seen in a cinematic frame following the rule of thirds. The man looks around with eyes that pulsate with green light against the backdrop of modern urban Russia in 1986. The scene is set against a surreal backdrop.

An anthropomorphic, biomechanical hybrid of a human and a sewing machine is seen in a cinematic frame following the rule of thirds. The man looks around with eyes that pulsate with green light against the backdrop of modern urban Russia in 1986. The scene is set against a surreal backdrop.

An anthropomorphic, biomechanical hybrid of a human and a sewing machine is seen in a cinematic frame following the rule of thirds. The man looks around with eyes that pulsate with green light against the backdrop of modern urban Russia in 1986. The scene is set against a surreal backdrop.

An anthropomorphic, biomechanical hybrid of a human and a sewing machine is seen in a cinematic frame following the rule of thirds. The man looks around with eyes that pulsate with green light against the backdrop of modern urban Russia in 1986. The scene is set against a surreal backdrop.

An anthropomorphic, biomechanical hybrid of a human and a sewing machine is seen in a cinematic frame following the rule of thirds. The man looks around with eyes that pulsate with green light against the backdrop of modern urban Russia in 1986. The scene is set against a surreal backdrop.

An anthropomorphic, biomechanical hybrid of a human and a sewing machine is seen in a cinematic frame following the rule of thirds. The man looks around with eyes that pulsate with green light against the backdrop of modern urban Russia in 1986. The scene is set against a surreal backdrop.

An anthropomorphic, biomechanical hybrid of a human and a sewing machine is seen in a cinematic frame following the rule of thirds. The man looks around with eyes that pulsate with green light against the backdrop of modern urban Russia in 1986. The scene is set against a surreal backdrop.

An anthropomorphic, biomechanical hybrid of a human and a sewing machine is seen in a cinematic frame following the rule of thirds. The man looks around with eyes that pulsate with green light against the backdrop of modern urban Russia in 1986. The scene is set against a surreal backdrop.

An anthropomorphic, biomechanical hybrid of a human and a sewing machine is seen in a cinematic frame following the rule of thirds. The man looks around with eyes that pulsate with green light against the backdrop of modern urban Russia in 1986. The scene is set against a surreal backdrop.

An anthropomorphic, biomechanical hybrid of a human and a sewing machine is seen in a cinematic frame following the rule of thirds. The man looks around with eyes that pulsate with green light against the backdrop of modern urban Russia in 1986. The scene is set against a surreal backdrop.

An anthropomorphic, biomechanical hybrid of a human and a sewing machine is seen in a cinematic frame following the rule of thirds. The man looks around with eyes that pulsate with green light against the backdrop of modern urban Russia in 1986. The scene is set against a surreal backdrop.

A man made of woolen threads, in a cinematic frame at a lower middle angle, observing the rule of thirds. The man looks around and his eyes pulse with green light, set against the backdrop of modern urbanism in Russia in 1986, with surrealism in the background.

A man made of woolen threads, in a cinematic frame at a lower middle angle, observing the rule of thirds. The man looks around and his eyes pulse with green light, set against the backdrop of modern urbanism in Russia in 1986, with surrealism in the background.

A man made of woolen threads, in a cinematic frame at a lower middle angle, observing the rule of thirds. The man looks around and his eyes pulse with green light, set against the backdrop of modern urbanism in Russia in 1986, with surrealism in the background.

A man made of woolen threads, in a cinematic frame at a lower middle angle, observing the rule of thirds. The man looks around and his eyes pulse with green light, set against the backdrop of modern urbanism in Russia in 1986, with surrealism in the background.

A man made of woolen threads, in a cinematic frame at a lower middle angle, observing the rule of thirds. The man looks around and his eyes pulse with green light, set against the backdrop of modern urbanism in Russia in 1986, with surrealism in the background.

A man made of woolen threads, in a cinematic frame at a lower middle angle, observing the rule of thirds. The man looks around and his eyes pulse with green light, set against the backdrop of modern urbanism in Russia in 1986, with surrealism in the background.

A man made of woolen threads, in a cinematic frame at a lower middle angle, observing the rule of thirds. The man looks around and his eyes pulse with green light, set against the backdrop of modern urbanism in Russia in 1986, with surrealism in the background.

A man made of woolen threads, in a cinematic frame at a lower middle angle, observing the rule of thirds. The man looks around and his eyes pulse with green light, set against the backdrop of modern urbanism in Russia in 1986, with surrealism in the background.

A man made of woolen threads, in a cinematic frame at a lower middle angle, observing the rule of thirds. The man looks around and his eyes pulse with green light, set against the backdrop of modern urbanism in Russia in 1986, with surrealism in the background.

A man made of woolen threads, in a cinematic frame at a lower middle angle, observing the rule of thirds. The man looks around and his eyes pulse with green light, set against the backdrop of modern urbanism in Russia in 1986, with surrealism in the background.

A man made of woolen threads, in a cinematic frame at a lower middle angle, observing the rule of thirds. The man looks around and his eyes pulse with green light, set against the backdrop of modern urbanism in Russia in 1986, with surrealism in the background.

A man made of woolen threads, in a cinematic frame at a lower middle angle, observing the rule of thirds. The man looks around and his eyes pulse with green light, set against the backdrop of modern urbanism in Russia in 1986, with surrealism in the background.

A man made of woolen threads, in a cinematic frame at a lower middle angle, observing the rule of thirds. The man looks around and his eyes pulse with green light, set against the backdrop of modern urbanism in Russia in 1986, with surrealism in the background.

A man made of woolen threads, in a cinematic frame at a lower middle angle, observing the rule of thirds. The man looks around and his eyes pulse with green light, set against the backdrop of modern urbanism in Russia in 1986, with surrealism in the background.

A man made of woolen threads, in a cinematic frame at a lower middle angle, observing the rule of thirds. The man looks around and his eyes pulse with green light, set against the backdrop of modern urbanism in Russia in 1986, with surrealism in the background.

A man made of woolen threads, in a cinematic frame at a lower middle angle, observing the rule of thirds. The man looks around and his eyes pulse with green light, set against the backdrop of modern urbanism in Russia in 1986, with surrealism in the background.

A man made of woolen threads, in a cinematic frame at a lower middle angle, observing the rule of thirds. The man looks around and his eyes pulse with green light, set against the backdrop of modern urbanism in Russia in 1986, with surrealism in the background.