A man with a sledgehammer swings to hit an electric generator, a man is dressed in a battered physicist's jumpsuit, electric sparks, springs are used in the structure of the man's body
A man with a sledgehammer swings to hit an electric generator, a man is dressed in a battered physicist's jumpsuit, electric sparks, springs are used in the structure of the man's body
A man with a sledgehammer swings to hit an electric generator, a man is dressed in a battered physicist's jumpsuit, electric sparks, springs are used in the structure of the man's body
A man with a sledgehammer swings to hit an electric generator, a man is dressed in a battered physicist's jumpsuit, electric sparks, springs are used in the structure of the man's body
A man with a sledgehammer swings to hit an electric generator, a man is dressed in a battered physicist's jumpsuit, electric sparks, springs are used in the structure of the man's body
A man with a sledgehammer swings to hit an electric generator, a man is dressed in a battered physicist's jumpsuit, electric sparks, springs are used in the structure of the man's body
A man with a sledgehammer swings to hit an electric generator, a man is dressed in a battered physicist's jumpsuit, electric sparks, springs are used in the structure of the man's body
Surreal, a man who has no face, a frame in the style of Andrei Tarkovsky, based on the novel by the Strugatsky brothers "Snail on the slope", instead of a face, smooth skin
Surreal, a man who has no face, a frame in the style of Andrei Tarkovsky, based on the novel by the Strugatsky brothers "Snail on the slope", instead of a face, smooth skin
Surreal, a man who has no face, a frame in the style of Andrei Tarkovsky, based on the novel by the Strugatsky brothers "Snail on the slope", instead of a face, smooth skin
Surreal, a man who has no face, a frame in the style of Andrei Tarkovsky, based on the novel by the Strugatsky brothers "Snail on the slope", instead of a face, smooth skin
Surreal, a man who has no face, a frame in the style of Andrei Tarkovsky, based on the novel by the Strugatsky brothers "Snail on the slope", instead of a face, smooth skin
Surreal, a man who has no face, a frame in the style of Andrei Tarkovsky, based on the novel by the Strugatsky brothers "Snail on the slope", instead of a face, smooth skin
A man runs through the corridors of an endless string of random time fragments and spaces, fragments of events from different dimensions, a man dressed in a 1976 Soviet army flight suit, Camera Positioning: Position the camera slightly behind and to the side of the character who is observing the running person. This will create a sense of immersion and allow the audience to see the action from the character's perspective,Framing the Runner: Frame the running person in a way that shows their movement and direction,Leave enough space in the frame for the runner to move into, which will help guide the viewer's eye and create a sense of motion,Focus: Adjust the focus to keep the runner sharp while slightly blurring the foreground character. This will emphasize the runner and create depth in the scene
A man runs through the corridors of an endless string of random time fragments and spaces, fragments of events from different dimensions, a man dressed in a 1976 Soviet army flight suit, Camera Positioning: Position the camera slightly behind and to the side of the character who is observing the running person. This will create a sense of immersion and allow the audience to see the action from the character's perspective,Framing the Runner: Frame the running person in a way that shows their movement and direction,Leave enough space in the frame for the runner to move into, which will help guide the viewer's eye and create a sense of motion,Focus: Adjust the focus to keep the runner sharp while slightly blurring the foreground character. This will emphasize the runner and create depth in the scene
A man runs through the corridors of an endless string of random time fragments and spaces, fragments of events from different dimensions, a man dressed in a 1976 Soviet army flight suit, Camera Positioning: Position the camera slightly behind and to the side of the character who is observing the running person. This will create a sense of immersion and allow the audience to see the action from the character's perspective,Framing the Runner: Frame the running person in a way that shows their movement and direction,Leave enough space in the frame for the runner to move into, which will help guide the viewer's eye and create a sense of motion,Focus: Adjust the focus to keep the runner sharp while slightly blurring the foreground character. This will emphasize the runner and create depth in the scene
A man runs through the corridors of an endless string of random time fragments and spaces, fragments of events from different dimensions, a man dressed in a 1976 Soviet army flight suit, Camera Positioning: Position the camera slightly behind and to the side of the character who is observing the running person. This will create a sense of immersion and allow the audience to see the action from the character's perspective,Framing the Runner: Frame the running person in a way that shows their movement and direction,Leave enough space in the frame for the runner to move into, which will help guide the viewer's eye and create a sense of motion,Focus: Adjust the focus to keep the runner sharp while slightly blurring the foreground character. This will emphasize the runner and create depth in the scene
A man runs through the corridors of an endless string of random time fragments and spaces, fragments of events from different dimensions, a man dressed in a 1976 Soviet army flight suit, Camera Positioning: Position the camera slightly behind and to the side of the character who is observing the running person. This will create a sense of immersion and allow the audience to see the action from the character's perspective,Framing the Runner: Frame the running person in a way that shows their movement and direction,Leave enough space in the frame for the runner to move into, which will help guide the viewer's eye and create a sense of motion,Focus: Adjust the focus to keep the runner sharp while slightly blurring the foreground character. This will emphasize the runner and create depth in the scene
A man runs through the corridors of an endless string of random time fragments and spaces, fragments of events from different dimensions, a man dressed in a 1976 Soviet army flight suit, Camera Positioning: Position the camera slightly behind and to the side of the character who is observing the running person. This will create a sense of immersion and allow the audience to see the action from the character's perspective,Framing the Runner: Frame the running person in a way that shows their movement and direction,Leave enough space in the frame for the runner to move into, which will help guide the viewer's eye and create a sense of motion,Focus: Adjust the focus to keep the runner sharp while slightly blurring the foreground character. This will emphasize the runner and create depth in the scene
A man in a flight suit, a space wanderer, a veteran of space hikes, a secret experiment in hacking space and time, the fourth dimension, a crash test dummy, a super-powerful sound system, transistors
A man in a flight suit, a space wanderer, a veteran of space hikes, a secret experiment in hacking space and time, the fourth dimension, a crash test dummy, a super-powerful sound system, transistors
A man in a flight suit, a space wanderer, a veteran of space hikes, a secret experiment in hacking space and time, the fourth dimension, a crash test dummy, a super-powerful sound system, transistors
A man in a flight suit, a space wanderer, a veteran of space hikes, a secret experiment in hacking space and time, the fourth dimension, a crash test dummy, a super-powerful sound system, transistors
A man in a flight suit, a space wanderer, a veteran of space hikes, a secret experiment in hacking space and time, the fourth dimension, a crash test dummy, a super-powerful sound system, transistors
A man in a flight suit, a space wanderer, a veteran of space hikes, a secret experiment in hacking space and time, the fourth dimension, a crash test dummy, a super-powerful sound system, transistors
A man in a flight suit, a space wanderer, a veteran of space hikes, a secret experiment in hacking space and time, the fourth dimension, a crash test dummy, a super-powerful sound system, transistors
A man in a flight suit, a space wanderer, a veteran of space hikes, a secret experiment in hacking space and time, the fourth dimension, a crash test dummy, a super-powerful sound system, transistors
A man in a flight suit, a space wanderer, a veteran of space hikes, a secret experiment in hacking space and time, the fourth dimension, a crash test dummy, a super-powerful sound system, transistors
A man in a flight suit, a space wanderer, a veteran of space hikes, a secret experiment in hacking space and time, the fourth dimension, a crash test dummy, a super-powerful sound system, transistors
A man in a flight suit, a space wanderer, a veteran of space hikes, a secret experiment in hacking space and time, the fourth dimension, a crash test dummy, a super-powerful sound system, transistors
A man in a flight suit, a space wanderer, a veteran of space hikes, a secret experiment in hacking space and time, the fourth dimension, a crash test dummy, a super-powerful sound system, transistors
Transcendental Techno-Shaman, electric mitota fragments of mirror inlay dubstep X Files electro-shamanism secret experiment electricity caster mechanisms of industrial equipment a young man segmented against the backdrop of surrealism youth subculture cool outfit trip-hop fantastic films of the second half of the 20th century HQ mysterious observer
Transcendental Techno-Shaman, electric mitota fragments of mirror inlay dubstep X Files electro-shamanism secret experiment electricity caster mechanisms of industrial equipment a young man segmented against the backdrop of surrealism youth subculture cool outfit trip-hop fantastic films of the second half of the 20th century HQ mysterious observer
Transcendental Techno-Shaman, electric mitota fragments of mirror inlay dubstep X Files electro-shamanism secret experiment electricity caster mechanisms of industrial equipment a young man segmented against the backdrop of surrealism youth subculture cool outfit trip-hop fantastic films of the second half of the 20th century HQ mysterious observer
Transcendental Techno-Shaman, electric mitota fragments of mirror inlay dubstep X Files electro-shamanism secret experiment electricity caster mechanisms of industrial equipment a young man segmented against the backdrop of surrealism youth subculture cool outfit trip-hop fantastic films of the second half of the 20th century HQ mysterious observer
Transcendental Techno-Shaman, electric mitota fragments of mirror inlay dubstep X Files electro-shamanism secret experiment electricity caster mechanisms of industrial equipment a young man segmented against the backdrop of surrealism youth subculture cool outfit trip-hop fantastic films of the second half of the 20th century HQ mysterious observer
Transcendental Techno-Shaman, electric mitota fragments of mirror inlay dubstep X Files electro-shamanism secret experiment electricity caster mechanisms of industrial equipment a young man segmented against the backdrop of surrealism youth subculture cool outfit trip-hop fantastic films of the second half of the 20th century HQ mysterious observer